Paul Feig has always caused a stir with his last directorial works. The internet was ablaze with his all-female reimagining of Ghostbusters, his Melissa McCarthy comedies are always met with mixed reception, and the thriller satire Just a Small Favor caught many off guard. But the Michigan-born director has a gifted understanding of humor, which he also shows in his Christmas comedy LAST CHRISTMAS proven again. We reveal more about this in our review.
A love story develops between Kate and Tom (Henry Golding)…
The plot summary
Disappointed with life and without future prospects, young Kate (Emilia Clarke) moves back to her hometown of London. Here she is hired as an elf in a Christmas shop. However, her resolute boss (Michelle Yeoh) regularly despairs of Kate’s relaxed work ethic. When she meets the charming Tom (Henry Golding) one day after a shift, things seem to take a turn for Kate. The two of them go around the house together more and more often, but they never get really close. After all, Tom encourages Kate to finally pursue her passion, singing. Kate goes to castings and talent shows, but only with moderate success. Above all, her worried mother Adella (Emma Thompson) is very worried about her offspring. It just takes time until the young woman decides to finally let people into her life and take off her protective armor…
Movie meaning of ending
“Last Christmas, I gave you my heart. But the very next day, you gave it away .” – Every year, just in time for Christmas, television stations and radio stations give us the same catchy tune. And now “Bride Alarm” and “Ghostbusters” director Paul Feig has taken exactly this song to his chest to tell a sweet, anarchic Christmas story based on it and various other George Michael classics. Sugary sweet, because the innocence of this story, coupled with probably the most magical screen couple of the year (Emilia Clarke and Henry Golding), couldn’t be better suited to the (pre-)Christmas season and will probably make the female audience in particular wet eyes and heart palpitations. And anarchic because it sometimes feels like watching a sack of fleas on screen; Feig packs so many ideas into this comedy romance, in which he also includes a good portion of melancholy, especially in the second half. Especially because of a twist on the home stretch, opinions will definitely differ on “Last Christmas”. But because of the unbridled, creative diversity – this applies to both the production and the remarkably diverse cast – you definitely shouldn’t miss this very special Christmas film. “Last Christmas” is a rarity that you rarely see in the cinema anymore.
Kate (Emilia Clarke) finds a job in the Christmas business with the feisty Santa (Michelle Yeoh).
If we say that in the first half hour you don’t really understand what Feig is actually trying to get at with his story, then that sounds far more negative than we mean. We get to know Kate as an aimless drifter who doesn’t know what to do with her life. We come into contact with all sorts of quirky supporting characters. We meet Kate’s eccentric mother (amazing: Emma Thompson, who also wrote the screenplay), the charming Tom and are also presented with an overwhelmingly colorful, Christmassy London, the narrative center of which is a brightly sparkling Christmas shop. There is creativity in everything. Every second on the screen is literally overflowing with life. Various storylines are opened up, set pieces are presented and the soundtrack covers the whole thing with all sorts of George Michael songs that fit the respective scenery, but are never too intrusive. The title “Last Christmas” is – this much can be reassuringly anticipated – not nearly as present as one might have feared in advance, if it could even have had such a significant influence on the choice of title. The extent to which the film is inspired by the content of the Christmas classic only becomes apparent at the very end; We can anticipate this at this point without any fear of spoilers, because the connection between the story and the song can only be established once the penny has long since dropped about the surprises and twists. And Paul Feig has already proven that he knows how to stage twists effectively with his crazy thriller comedy “Just a Little Favor” .
In addition, Feig once again demonstrates his penchant for colorful ensembles in “Last Christmas”; Although the focus of his film is a mixed-sex (loving?) couple, he is not only a person of Asian descent, Feig focuses on diversity, especially among the supporting characters: there is a balance between men and women, there are same-sex couples, various people of color and people with physical disabilities. What should actually be self-evident, the makers actually show you here so naturally that you only realize long after the film how far Feig is unfortunately still ahead of his time. The fact that he never uses his diverse cast as a basis for problems or conflicts underlines this; and also that he still allows himself some biting punchlines every now and then. Nobody is safe from his humor. And not with a lot of love and sincerity either.
Although “Last Christmas” is due to its breakneck pace and the high density of slapstick gags (which unfortunately doesn’t always work quite as Feig imagines because it comes here and there at inappropriate moments and also turns out to be quite stupid). ) and punchlines can be clearly placed in the comedy genre, the makers allow themselves some melancholic touches, especially in the second half. This adds spice and romance to the romance between Kate and Tom; and it makes for a final act that really gets to your heartstrings, even if one or two people might have already noticed in advance that this love story isn’t one that’s simply heading for a cheap happy ending. After all, Paul Feig has never subordinated himself to the genre so completely. But as is usual with the stylish filmmaker, who himself has appeared all too often as an actor, by then you were both laughing in tears and rooting for the two of them. And suddenly you find yourself in the cinema crying your eyes out. Paul Feig uses the entire range of emotions and with “Last Christmas” delivers a wonderfully different, courageous and certainly offending Christmas film for many viewers. But certainly one that has never been seen before – because the fact that the makers are risking more here in many places than is usual, especially in the Christmas film segment that requires so much harmony, simply deserves as much praise as possible.
“Last Christmas (2019)” – Movie Ending: Unlocking the Meaning
The movie “Last Christmas,” released in 2019, not only stuns the audience with its Christmas atmosphere, but also leaves a huge number of questions about the plot and, especially, the final scene. The ending of the movie leaves the audience with mixed feelings and a desire to start a conversation about its deeper meaning.
The plot was based on the song “Last Christmas” by Wham!, but director Pauline Greengrass and screenwriter Emma Thompson expanded the story by adding unexpected twists and turns. The main character, Kate, played by Emilia Clarke, has gone through a difficult period in her life and ended up on a strange romantic cruise with Tom, played by Henry Golding.
However, the ending itself became a subject of discussion and interpretation among the audience. To understand the true meaning of the ending, let’s take a closer look at the main points.
Restoring the joy of life.
One of the key themes in Last Christmas is the restoration of lost joy in life and inner harmony. Kate has gone through a difficult period, her life has fallen apart, and she has lost her perception of the world in her own big city. Tom, who turns out to be a mysterious and enigmatic stranger, helps her rediscover the beauty of life and stop focusing on the negative aspects.
The role of the main characters.
The main characters play an important role in revealing the meaning of the movie. Kate, with her complex character and problems, is the embodiment of many people who face difficulties in the modern world. Tom, on the other hand, is a kind of “guardian angel” who is sent to help her rebuild her life.
Ending: Intrigue and surprise.
The most discussed element of the movie is the ending, which leaves the audience with the question: “What exactly happened here?” Several interpretations are possible, and one of them is that Tom is some kind of metaphorical or even spiritual existence that helps Kate find joy and faith in life again. His mysterious disappearance may be an attempt to emphasize the fact that sometimes it is difficult to explain or understand important events in life.
The importance of giving.
The movie emphasizes the importance of giving and caring for others, especially during the Christmas season. Kate realizes how important it is to give your heart to others and to appreciate moments of happiness with your loved ones. This instructive message becomes even more relevant in today’s world, where people often get caught up in the routine and hustle and bustle and forget about the warmth and magic of Christmas.
In general, the ending of “Last Christmas” seems unexpected and open to interpretation. This creates possible
Conclusion: Paul Feig’s “Last Christmas” is clearly the Christmas film of the year! Not just because the “Bride Alarm” director dares to do things on many levels that no other filmmakers dare to do. But above all because he succeeds in staging a comedy that is both anarchic and romantic-melancholic, whose contradictory approaches do not slow each other down but, on the contrary, inspire each other.
“Last Christmas” can be seen in USA cinemas nationwide from November 17th.