Knives Out Movie Ending Explained (In Detail)

Spoilers Alert:

The crime comedy that was nominated for multiple Golden Globes KNIVES OUT – MURDER IS A FAMILY MATTER A top-class ensemble gathers in front of the camera, which, under the direction of Rian Johnson, maneuvers its way through a wonderfully bizarre murder investigation. We reveal more about this in our review.

Benoit Blanc (Daniel Craig) follows every lead with detectives Elliott (LaKeith Stanfield) and Wagner (Noah Segan).

The plot summary

Harlan Thrombey (Christopher Plummer) is dead! And not only that – the renowned crime author and family patriarch was killed at his 85th birthday party. But of course neither the assembled eccentric relatives nor the loyal house staff wanted to see anything. A case for Benoit Blanc (Daniel Craig)! The casual, elegant inspector begins his investigation and while all the guests present are anything but cooperative, the situation becomes more critical and distrust among each other grows. A complex web of lies, red herrings and red herrings must be combed through to uncover the truth behind Thrombey’s untimely death.

Knives Out Movie Meaning & ending

If you looked into the film-centric corners of social networks at the end of 2017, you could quickly get the impression that director and screenwriter Rian Johnson was the most hated person in the world. The reason: The filmmaker, who was able to develop his first fan base with the high school noir “Brick”, which many more fans would follow years later thanks to “Looper”, had one of the most controversial “The Last Jedi” Star Wars” films were staged at all, thereby turning large sections of fans against them. Johnson sometimes even received death threats and, after initially struggling to discuss things, withdrew completely from the social media world, which seems a little strange in view of recent developments. Since “Star Wars: The Rise of Skywalker”, a remarkable number of star saga lovers have committed themselves to the eighth episode. Apart from that, Rian Johnson has rehabilitated himself in the USA primarily through his humorous crime comedy “Knives Out – Murder is a Family Affair”. Overseas, the film not only received excellent reviews and three nominations at the Golden Globe Awards (including for Best Comedy), but also became a surprise success at the box office. With production costs of 40 million US dollars, “Knives Out” has now grossed over 220 million there and is currently ranked 24th among the most successful films of 2019 – only “ Once Upon a Time in Hollywood” was among the non-franchise films “ and “We” are more successful. That’s not a miracle!

Richard (Don Johnson), Linda (Jamie Lee Curtis) Drysdale and Marta Cabrera (Ana de Armas), the deceased’s carer.

Hollywood has been rediscovering the classic crime film à la Agatha Christie for some time now. After the huge success of Kenneth Branagh’s star-studded “Murder on the Orient Express” remake , 20th Century Fox quickly announced that it would also undergo a major overhaul of “Death on the Nile.” And it looks like we’ll see the results of this as early as October of this year. In addition , another Christie remake, “The Crooked House,” was released at the end of November 2018, for which director Gilles Paquet-Brenner was able to win over a similarly high number of stars. Now “Knives Out” is not based on one of Agatha Christie’s countless crime stories but, as an original material, is a real rarity in 2020 between film series, cinema universes and any kind of adaptation. But the production, which can be placed somewhere between the works of the British writer and films like “All the Murderers Are Already Here,” proudly displays its role models and, thanks to the stylish direction and the smart, witty script (written by Rian Johnson himself), has enough individuality and independence , so as not to simply pass off as an attempted modernization of a long-forgotten genre. “Knives Out – Murder is a Family Affair” is 100 percent a contemporary film. This applies to its pace, the density of gags, the acting and the visual presentation as well as to the subtext of the content, which we do not want to go into in detail for spoiler reasons. Just this much: In “Knives Out,” social norms and hierarchies are shaken up several times and sometimes even turned completely inside out.

The comparison with the crime comedy “All the Murderers Are Already Here,” which is based on the board game “Cluedo,” is no coincidence: in an early dialogue in “Knives Out,” the statement is even made that the deceased landlord literally lived on a game board from the classic game , which is why – in addition to the ideal setting of a picturesque, winding manor house with its countless rooms and bay windows – there are even more suspects who, in view of the impending will opening, would have enough reasons to hunt down the very rich writer of crime fiction (of course!). To illustrate this, Johnson spends the first half hour of his film setting up the characters – in the truest sense of the word – and using his interrogation narrative structure, in which each suspect describes the events of the night of the crime from their perspective Situation to establish that no one, absolutely no one, functions as a reliable narrator in this scenario. Each flashback, based on the interviewees’ statements, differs slightly from the others. As a viewer, you can never be sure what really happened on the night of the crime – until Johnson fires off a daring twist for whodunit crime novels in the first 50 minutes, which puts the events in a completely new picture. Suddenly the audience is no longer an ally of Detective Blanc, who is also in the dark, but of a completely different person. And that’s just how “Knives Out” really began, because the twists and turn-arounds Rian Johnson presents in the further course of his film both undermine and confirm the expectations of the genre-savvy viewer in equal parts so smartly that it’s almost impossible is to guess the outcome of the story.

But despite its crazy pace and the density of gags conjured up by the excellent cast, “Knives Out – Murder is a Family Matter” is not just an immensely enjoyable “Who killed Harlan Thrombey?” guessing game, but also says a hell of a lot about him in its best moments Status quo of US society. The cabinet of figures assembled here by Johnson is nothing less than a cross-section of this; neatly separated into hierarchies and clientele. Even in passing, the director repeatedly opens up isolated socio-cultural and political debates. Only Detective Blanc, as an outsider, is spared from the discussions, can investigate and gradually track down the perpetrator without any distractions. With Daniel Craig (“James Bond 007: Specter”), who was nominated for a Golden Globe for his role as the eccentric investigator, the character of the detective not only gains in recognition value and lots and lots of humor. Like no other, Craig manages to combine the humorous aspects of his role with a serious focus on the essentials, so that as a viewer you have equal amounts of fun and there is never any question that this investigator is really up to something. Not every ensemble member is given this conscious grounding of his character. Especially Toni Collette (“Hereditary”) and Michael Shannon (“Shape of Water – The Whisper of Water”) When embodying their characters, the focus is primarily on their whimsical attitude, which means that they occasionally scratch the caricature. This fits in perfectly with the overall appearance of “Knives Out” – a kind of “Agatha Christie on speed”.

Conclusion: Like an Agatha Christie film adaptation on speed – “Knives Out” is a phenomenally cast crime farce that serves the genre in equal parts and takes it to absurdity. It’s fun, invites you to guess, and Rian Johnson also dresses it up in highly elegant images in which not only the fantastic cast comes into its own, but also the many twists and turns shine in a perfect light.

“Knives Out – Murder is a Family Matter” can be seen in USA cinemas from January 2nd.

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