In the party comedy ABIKALYPSE Director Adolfo Kolmerer manages to give the school film genre a new coat of paint – and without any bizarre exaggeration like his colleague Bora Dagtekin in the audience hit “Fack ju Göhte”. We reveal more about this in our review.
Hannah and Tom have a close friendship…
The plot summary
The outsiders Musti (Reza Brojerdi), Yannick (Jerry Hoffmann), Hannah (Lea van Acken) and Tom (Lucas Reiber) finally have their high school diploma in their pockets. Before the seriousness of life awaits the four friends and they perhaps part ways, they carelessly promise their classmates the craziest party of the year. They finally want to prove to everyone that they are not losers and that they have more fame than failure. But the search for recognition and digital followers throws the four of them into disarray. In the midst of the hustle and bustle, Hannah and Tom also realize their true feelings for each other. However, the first romantic night for two only complicates things even more… For the four friends, the party of their lives becomes the most important test of their friendship.
Abikalypse Movie Meaning & ending
Students and school leavers in films have always struggled with the same problems: fears of the future, their first love, the need for recognition and the pressure to absolutely belong. Now one could accuse the makers of such stories – and thus also director Adolfo Kolmerer (“Snowflake”) and his screenwriter Tim Gondi (“Bullsprit”) – for exactly that; namely that in the school film genre they always tell the same thing. But isn’t it more the case that generations after generations had to struggle with exactly these problems at a certain age? Ultimately, only the venue changes; for example from real life to the internet. And even when things as banal as fashion styles or pop culture phenomena change, we inevitably stumble over the same stones on the path to adulthood. “Abikalypse”, which was listed for a long time under the title “Am Ende Legenden” on various online portals, is ultimately nothing more than a contemporary image of current high school students trying to find themselves between final exams, Instagram and being an outsider . Because it resorts to typical coming-of-age aches and pains, “Abikalypse” can only be attributed to a limited degree of innovation in terms of narrative. But ultimately it depends on how you mix the known ingredients. And those in charge here do it so cleverly and sympathetically that you feel for the characters, join them in confronting the “problem of the graduation party” and, in the end, keep your fingers crossed for them to fulfill their dream of becoming legends in the end Come a little closer.
Hannah, (Lea van Acken), Tom (Lucas Reiber), Musti (Reza Brojerdi) and Yannick (Jerry Hoffmann) are planning the party of their lives.
The clichés used to develop people at (German) schools in films have also not changed over the years. Nerd, bitch, daredevil – to name just a few – were the classic stereotypes in “Schule” from 2000, which were still used exactly the same way in “Fack ju Göhte” thirteen years later – only with a redneck slang and a lot more anglicisms in your luggage or school backpack. And that’s not really far-fetched – after all, due to a lack of life experience and judgment, you are automatically put in a drawer, especially in your youth. Nevertheless, it is refreshing when films such as the 2015 US comedy “DUFF – If you don’t have one, you’re one” break with these expectations; and shows that today’s nerds are no longer “uncool” and that you have to have something in your head for your classmates to take you seriously – we remember Jenko’s puzzled looks in “21 Jump Street” , which is about A decade after leaving school, he was suddenly no longer the “cool guy” because nowadays the person who drives the biggest car is no longer automatically popular. The way Tim Gondi describes the four main characters in “Abikalypse” also goes in that direction: Somehow they all have their own stamp, but at the same time the script provides enough variation to show the son from a good family, the good-looking gamer, the insecure one to turn the neurotic and the actually quite self-confident follower into a credible unit of outsiders; like the parts of a fully assembled IKEA shelf, where at the end there are always a handful of parts left over.
But to ensure that the contradictions do not lead to implausible character leaps and that the clichés that are sometimes mentioned do not drift into caricature, strong actors are needed. And that’s exactly what Adolfo Kolmerer found, even if Lea van Acken (“The Diary of Anne Frank”) , Lucas Reiber (“Fack ju Göhte”) , Reza Brojerdi (“Snowflake”) and Jerry Hoffmann (“Amelie Runs”) have to put up with the criticism that they are sometimes a little too old for the role of school leavers – even if one takes into account that Brojerdi’s Musti has already repeatedly failed his high school diploma. In view of their achievements, however, this plays a minor role, because the actors, with varying degrees of fame, put themselves entirely into the service of their roles. Both in the quieter and emotional moments, as well as in scenes of pure escalation, the four of them lose their friendship at any time, and Tim Gondi’s strong script is not innocent of this. He lets his main characters talk exactly the way young people of this age do; with all the anglicisms and youth words that this age group uses, without falling into an unpleasant redneck style or, like so many other contributions in the genre, exaggerating it. This may sometimes seem strange to outsiders, which also applies to some selected scenes in which explicit attention is drawn to current social media trends (the regular inclusion of hashtags and their distribution is particularly successful). But no matter how absurd it seems when a bunch of late pubescents rub themselves with nettles in order to get their swollen noses ahead of an Instagram challenge, it is ultimately firmly anchored in reality. And when Hannah and Yannick watch this bizarre goings-on from a distance and shake their heads in the same confused way as probably all the viewers over the age of 25, then even the last viewer should have understood that Kolmerer has captured the zeitgeist really well has.
On the surface, “Abikalypse” is about how a group of misfits go from one faux pas to the next while trying to organize the biggest school party of all time. Including the typical set pieces, which also include a big argument, various amorous entanglements and, at the end, the big reconciliation. At the same time, Kolmerer is much closer to the emotional backgrounds of his characters than is usually the case in school comedy. You won’t find any classic thigh-slapping humor here, let alone below-the-belt slapstick, although “Abikalypse” is really funny in many places. And if the story occasionally drifts into overly constructed territory (keyword: Polish market), then this even completely unbalances the rhythm of “Apocalypse,” which is otherwise defined by its down-to-earth nature. On the other hand, the moments in which situational comedy arises in passing work much better; through a dryly delivered sentence without a specific punch line, which only turns out to be really funny after you think about it. Or because of the humor that develops through the characterization of the characters, because we are primarily dealing with terribly likeable people who can carry you away with their enthusiasm just as much as they credibly present to us that they are before we look into them We’ll have a lot of fun in the future. “Abikalypse” certainly doesn’t reinvent the school comedy genre. But those responsible show that ultimately what matters most is the “how” when you once again work on a topic that so many others have already tackled before them. Passed with honors!
“Abicalypse” has taken audiences on a rollercoaster ride through a dystopian world filled with intrigue, suspense, and existential crises. As the movie reaches its climax, viewers are left grappling with the complexity of the narrative and the enigmatic ending. In this article, we embark on a journey to dissect the conclusion of “Abicalypse,” shedding light on the twists, symbolism, and possible interpretations that make it a cinematic puzzle.
Before delving into the ending, let’s revisit the key plot points that set the stage for the apocalyptic drama in “Abikalypse.” The movie unfolds in a world on the brink of collapse, where societal norms crumble, and characters navigate the chaos of a post-apocalyptic landscape. Understanding the context is crucial to unraveling the significance of the movie’s conclusion.
The Climactic Revelation:
The concluding moments of “Abikalypse” introduce a revelation or turning point that reshapes the audience’s understanding of the narrative. Analyzing this climactic revelation provides a key to unlocking the underlying themes and motivations that propel the story to its conclusion.
Filmmakers often embed symbolic elements in the visuals and storytelling to convey deeper meanings. Exploring the symbolism in the final scenes of “Abikalypse” can offer insights into the director’s artistic choices and the metaphorical layers that enrich the overall narrative.
Character Arcs and Fates:
Characters undergo transformative journeys in any compelling story, and “Abikalypse” is no exception. Examining the resolutions or fates of central characters in the movie’s ending provides a lens through which viewers can grasp the emotional and psychological arcs that define the narrative.
Unraveling the Mystery:
Given the apocalyptic nature of the film, it’s natural for unanswered questions to linger. Identifying these unresolved mysteries and speculating on potential interpretations can spark discussion among viewers, fostering a community of engaged fans eager to share their insights.
Understanding the director’s vision and intentions is essential in making sense of any movie’s conclusion. Analyzing interviews, commentary tracks, and behind-the-scenes details can offer valuable context and illuminate the creative decisions that shaped the ending of “Abikalypse.”
Audience Reactions and Theories:
Movies with enigmatic endings often provoke a spectrum of reactions and theories among audiences. Exploring fan discussions, online forums, and social media reactions can unveil the diverse perspectives and interpretations that viewers bring to the table, turning the ending of “Abikalypse” into a communal experience.
Conclusion:“Abikalypse” concludes with a blend of mystery and revelation, leaving audiences with much to contemplate and discuss. By revisiting the plot, decoding symbolic elements, and exploring character arcs, viewers can gain a deeper understanding of the movie’s enigmatic ending. As cinematic storytelling continues to evolve, films like “Abikalypse” challenge audiences to grapple with complex narratives, ensuring that the impact of the story lingers in the minds of viewers long after the credits roll.
“Abikalypse” is an authentic, sympathetic look at outsiders that breathes the spirit of the times and at the same time an emotional examination of their fears of what will happen when school is over. “Abikalypse” is also a film about partying and friendship, which proves that you can conjure up something creative and original even with ingredients that have already been used many times.
“Abikalypse” can be seen in USA cinemas from July 25th.